“Chaos is order yet undeciphered” proclaims a confounding yet explicitly authoritative title card at the beginning of Enemy (2013), Québécois filmmaker Denis Villeneuve’s inscrutable adaptation of José Saramago’s 2002 novel “The Double.” It’s a film that’s chilling, sensual, eerie, perhaps at times indulgent, and yet always an artful and audacious affair. Jake Gyllenhaal, in an […]