“Carrie effortlessly straddles, and frequently blurs, the line between exploitation trash and serious-minded cinema” – Paul O’Callaghan, BFI They’re all gonna laugh at you! Following after the minor successes of Sisters (1973), Phantom of the Paradise (1974)––which would eventually have a substantial cult following––and Obsession (1976), Carrie would prove, once and for all, that […]