This list/article is the fourth in a series arguing that for cinema to-be-and-to-be-taken-seriously as an art form, it must forgo and move beyond Hollywood-like visual-based ways of meaning-formation/understanding into actor-, face-, dialogue-, voice-, emo-tion-, body-, character-, feeling,-, behavior/psychology-, and tone-based ones. Readers are strongly advised to read my three previous articles, especially (though by no […]